There is this story in Indian mythology of a beautiful girl living deep in the forest, wearing clothes made of the plainest fabric, day in and day out. Once, she goy a surprise gift from her foster father just before her wedding – he wished for beautiful clothes and jewelry for her, and they all appear magically on top of a nearby shrub.
Reading this story in my childhood – it fascinated me. I imagined different types of clothes on that plant. Imagined me as the princess. Imagined the tree resplendent with the different jewels and clothes I myself wanted. They all were in beautiful Indian prints and patterns.
The world has adopted a lot of them as their own, as they should. Art is not confined to any boundary. It is universal. All the Indian prints are universally appealing and you may have seen them in your clothes or others’ clothes or on upholstery or somewhere, at least once wherever you live.
I am no expert in these prints, and I hope that I correctly recognize the prints and patterns. The true experts are the artisans (the weavers, the printers, dyers, block carvers) who live in the villages of India and bring these prints to life with their tireless endeavors and artistic abilities, and creative instincts against a lot of odds.
Indian prints & Patterns
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Ajrakh prints
This print uses motifs in intense colors like Black, yellow, crimson red, green and indigo blue (Blue and red are the most prominent and distinguishing colors of this print) and will also have motifs worked in white (unprinted) and black, usually as an outline – the white and black defining the design. It is worked as a block printing technique.
Usually multiple colors are seen in the same fabric, with many different types of motifs, including border prints. As many as 20-30 different steps maybe involved in creating an Ajrakh printed fabric – A very labor intensive printing process indeed.
You can read more about this printing technique here.
Bagh Prints
Another hand block print made in natural colors of Red and black practiced in Bagh town in the Indian State of Madhya Pradesh. It is usually made on a white background. Red color is made from alum and black color is made from rusted iron (iron oxide). The dye is mixed with a vegetable gum to form a paste used in this printing.
Read more on Bagh print : https://craftatlas.co/crafts/bagh-print.
Bandhni prints
This is a print produced by a type of tie and dye technique creating small dots all over the fabric. The fabric is tied tightly in several places with grains inside – it is dipped in the dye solution, lighter colors first and dark colors later. Bright colors like yellow, purple, red, magenta, green are used. Small dots, Circles, diamonds and many other shapes are obtained this way.
Related post: Bandhani prints.
Buti prints
These are small motifs on the fabric – usually woven.
Dabu
Dabu is a resist technique used to create light coloured designs on a dark background. Mud is used as the resist medium (Kali mitti -black clay).
When the fabric is dyed, the places where the clay is applied and dried remains uncolored. Read more on resist printing here.
Batik
Batik is a wax resist dyeing technique. Beautifully intricate as well as shaded designs can be printed on the fabric using this technique.
Learn more about Batik here : https://www.batikguild.org.uk/batik/what-is-batik.
Ikkat prints
Ikkat prints are made using the tie and dye technique – on the yarn. The yarn is dyed in this way before the fabric is made. In ikkat prints you will find different motifs like flowers, animals like fish, parrots, leaves.
Kalamkari prints
The term kalamkari derives from the Indian word ‘kalam’ which means pen. The designs of these prints look as if it is drawn with the help of a pen.
This printing originated in the Indian State of Andhra Pradesh and is traditionally block printed on fabric using organic and vegetable dyes.
Khari prints
This is a printing using metallic colors or white color. It is usually done over hand block printed fabrics as a special highlight. It is also used as a standalone print.
Leheriya prints
These are flowy long striped prints created with the tie and dye technique.
Paisley prints
There is a whole history behind the very famous paisley prints / Mango prints. You can learn more about paisley pattern here.
Patola prints
This refers to sari fabric prints with geometrical patterns; these are arranged in the shape of animals/birds etc. Swans, elephants are regular motifs in Patola fabric.
Pochampalli ikat prints
This is another print with geometrical prints, and these are formed by its special weaving process -ikat. These wave-like shapes are seen all over or toward the border.
Sanganer prints
Sanganer Prints have beautiful delicate floral designs done on a white (pure white or off-white) background. The floral and leaf motifs of roses, lilies, marigold, sunflowers, and lotus are complemented by geometric motifs. The outlines of the motifs are printed first and then the color is filled in.
Reference : https://www.faridagupta.com/blog/difference-between-sanganer-and-bagru-printing.html
Seyali Bagru prints
Seyali Bagru printing is a traditional printing process followed in the Indian state of Rajasthan. It makes dark-colored patterns (red, black, and sometimes blue) on a dyed or cream /yellow ocher background, all made with natural dyes on cotton fabric. Natural motifs are interspersed with geometrical motifs in this fascinating Indian printing. Vegetable dyes are used throughout the process.
Learn more about this here : https://luggra.com/2018/04/11/bagru-a-traditional-printing-technique-of-rajasthan/.
Temple prints
These are pyramid like motifs, an abstract representation of temples of India – usually used as a border print on Saris.
Warli prints
Warli painting is a tribal art practiced in the state of Maharashtra. These are stylized drawings depicting the daily life of the tribal people.This art can be seen as patterns on fabric – usually printed.
Pichwai pattern
This is a pattern based on the Pichwai paintings of Rajasthan, narrating tales of Lord Krishna. The pattern on this fabric is based on these intricate pichwai paintings done using dark colors/earthern colors.
They were and is still used as wall decor – as wall hangings with a spiritual intent. The godliness and playfulness of Lord Krishna is beautifully represented in this hand painted work.
Mural Prints
These are hand painted designs worked on cream colored Handloom sarees (Traditional Kerala Kasavu Saree). Usually these paintings depict Radha Madhavam painting – Lord Krishna along with Radha.
Related post: Names of 80+ different fabric patterns ; different types of Fabric pattern repeats.
Hi… What is that print called, the one which has small squares with a hole in the centre?
Hi Irene,
Hole in a square? I do not know the official name. 🙂 In quilting I have seen this refered to as “Square peg in a round hole”
There are so many other prints such as pitchwai, madhubani or mithila prints, gond prints, pattachitra, shibori, tie and dye, kerala mural and so on..
Hi Mydhili
Thanks for the input; can you elaborate on these prints – would like to add them to the article
Do you have a whole list? If you have then please share it here. So that all readers can know. Thank you
Thank you for this lovely sew guide forward to new information
Thank you for this very informative post and lovely pictures.
Thank you Joanna; glad you liked it
Thank you for this lovely sew guide. There is so much in it.i think I can learn a lot and look forward to trying new things.